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Hi all–welcome to the new face of NYC Film Critic.  Big round of applause to my awesome wife Jess for getting this site up and running.  This incarnation of the site will be more heavily blog oriented, although I hope to still post original reviews from time to time.  The star system will most likely be abandoned though, which is just as well because I’ve always had mixes feelings about it.  The nice thing about this new format is that I’ll be able to build an archive of all my published reviews, which you can now read independently of my blog entries.  To view them, scroll down to the Categories box on the right hand side of the page and click on the Published Reviews link.  Underneath the Categories box, you’ll see my Blogroll, which contains links to the home pages of the other outlets I write for as well as a small library of other movie sites/blogs I like to visit for your further reading pleasure.  Also, instead of sending emails to an account I don’t check as often as I should, you’ll be able to post reactions to my posts/reviews in the comments section.  One caveat: you do have to register to post a comment.  Sorry to be a stickler about that, but anything to keep the spammers away.  Anyway, have a look around, get used to the new digs and hope you decide to keep coming back!

The Top Ten Movies of 2006
1) Pan’s Labyrinth
2) Children of Men
Thanks to blockbuster franchises like The Lord of the Rings and The Chronicles of Narnia as well as popular TV-shows like Battlestar Galactica and Heroes, science fiction and fantasy are steadily climbing out of their niche markets and becoming part of mainstream culture. At the same time, a solid block of the general public, not to mention the critical community, still views genre films as kids’ stuff—movies that offer escapism but little more. So it’s only appropriate that the two most politically relevant and socially conscious movies of the year happen to be genre pictures. Guillermo Del Toro’s Pan’s Labyrinth is a potent and deeply emotional argument against blind obedience that’s framed as a gothic fairy tale. It also features one of the most fully realized fantasy universes I’ve ever encountered in a film and one of the few that feels as if it could exist right alongside the real world. Meanwhile, Alfonso Cuaron’s haunting sci-fi drama Children of Men offers the most convincing depiction of a dystopian future since Blade Runner. The film has won well-deserved raves for its technical brilliance–mark my words, those dazzling tracking shots will be studied in film schools for decades to come–but its message of hope in the face of absolute despair is as stirring as the visuals. Together, Pan’s Labyrinth and Children of Men represent a new standard for genre movies and filmmaking in general. (more…)

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