It’s been almost three months since I’ve seen Gasper Noe’s Enter the Void and I haven’t been able to forget the damn thing. That’s not necessarily a sign of its quality, by the way. In many respects, the film is a laughable disaster that’s all the more hilarious because it takes itself so seriously. And yet, the filmmaking technique is so compelling and Noe’s commitment to his cracked vision so complete that it could almost be described as a work of brilliance, albeit a demented one. I wrestle with this confounding, compelling and altogether crazy picture more in my full-length review over at Film Journal.
